TOKO RESMI BARANG ORIGINAL DAN BERGARANSI
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021-6501012 / 65306112
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The original Gaia synthesizer was designed to meld past and future via virtual analog synthesis, all revolving around Roland’s iconic SH-101. Now, its long-awaited successor brims with cutting-edge tech to deliver a whole new world of sonic possibilities: Enter Gaia 2, a 37-key polyphonic synthesizer armed with state-of-the-art virtual analog sound engines with three immensely powerful oscillators comprising multiple waveforms and noise options, as well as wavetable synthesis and deep interoperative functions like cross modulation, oscillator syncing, ring modulation, and more. Gaia 2 also introduces the Motional Pad for endlessly reconfigurable touch-based, dual-axis modulation. If you're a Synthesists, you are smitten with the scope of sound-shaping opportunities, from 250+ diverse presets and dozens of multi-FX to the suite of heritage Roland sonics available from the moment you boot up Gaia 2, like the preinstalled SH-101 Model Expansion and iconic JUNO chorus effects.
Every ounce of sound Gaia 2 produces starts with its powerful, versatile 3-oscillator architecture, fueling the virtual analog engines of oscillators two and three for a slew of sounds that range from iconic to uncharted, futuristic territories. Each of these oscillators boasts five waveforms, including super saw, triangle, and square options, as well as five noise waveforms. On the other hand, oscillator one introduces a dedicated wavetable option with 63 waveforms that you can freely jump and morph your way around, from evocative slow-burns to rapid, punctuated shifts. Wave position, phase, and shape can even be modulated with the two-axis Motional Pad for direct control of your sound. Both virtual analog engines include dedicated wave-shaping controls that, coupled with the oscillator mixer, allow for an impressive variety of sound-shaping possibilities. Moreover, oscillator sync, cross-modulation, and ring modulation are on tap to explore intense timbres, thundering lows, and dynamic tones. You’ve also got access to an AD envelope that can be routed to numerous destinations across all three oscillators, resulting in expressive, voltaic sounds that can stack to extravagant heights thanks to the 3-oscillator per-voice polyphony.
Modern tone crafting and reactive synthesis
Both virtual analog engines include dedicated wave-shaping controls that, coupled with the oscillator mixer, allow for an impressive variety of sound-shaping possibilities. Moreover, oscillator sync, cross-modulation, and ring modulation are on tap to explore intense timbres, thundering lows, and dynamic tones. You’ve also got access to an AD envelope that can be routed to numerous destinations across all three oscillators, resulting in expressive, voltaic sounds that can stack to extravagant heights thanks to the 3-oscillator per-voice polyphony. Looking for more ways to sound out? A pair of LFOs can each be assigned to up to four parameters attached to any of the knobs or sliders, save for click-dials, while tempo-syncable rates and depth are individually managed. This functionality goes double for the waveforms that include six options: four wave shapes, a randomizer, and a programmable step wave.
Dynamic textures from vintage to uncharted
Thanks to Roland’s masterful sound-modeling technology, Gaia 2 bristles with vintage character that’s rife for reimagining with the synth’s contemporary tool kit. Texturization options comprise 53 multi-effects that are navigated from the display screen. Reverbs and delays come in seven distinct shades that can be readily refined. Meanwhile, the vaunted character of the infamous JUNO chorus effects is seamlessly toggled from a single-button control, incorporating all three styles with multiple permutations that total nine chorus choices. You can even rearrange the sound path of the multi-FX, reverb/delay, and chorus for deep sound crafting.
Dedicated amp and filter sections feature individuated ADSR sliders, with the latter capable of key-following and envelope-depth management that can be uniquely attenuated. Additional filtering is available via the multimode filter system that not only painlessly toggles between low-, band-, and highpass options, but also features a triptych of variable slopes: -12dB/Oct, -18dB/Oct, or -24dB/Oct. You’ve even got a dedicated filter drive knob for when you need to supplement your sound with some gritty textures.
Features:
The original Gaia synthesizer was designed to meld past and future via virtual analog synthesis, all revolving around Roland’s iconic SH-101. Now, its long-awaited successor brims with cutting-edge tech to deliver a whole new world of sonic possibilities: Enter Gaia 2, a 37-key polyphonic synthesizer armed with state-of-the-art virtual analog sound engines with three immensely powerful oscillators comprising multiple waveforms and noise options, as well as wavetable synthesis and deep interoperative functions like cross modulation, oscillator syncing, ring modulation, and more. Gaia 2 also introduces the Motional Pad for endlessly reconfigurable touch-based, dual-axis modulation. If you're a Synthesists, you are smitten with the scope of sound-shaping opportunities, from 250+ diverse presets and dozens of multi-FX to the suite of heritage Roland sonics available from the moment you boot up Gaia 2, like the preinstalled SH-101 Model Expansion and iconic JUNO chorus effects.
Every ounce of sound Gaia 2 produces starts with its powerful, versatile 3-oscillator architecture, fueling the virtual analog engines of oscillators two and three for a slew of sounds that range from iconic to uncharted, futuristic territories. Each of these oscillators boasts five waveforms, including super saw, triangle, and square options, as well as five noise waveforms. On the other hand, oscillator one introduces a dedicated wavetable option with 63 waveforms that you can freely jump and morph your way around, from evocative slow-burns to rapid, punctuated shifts. Wave position, phase, and shape can even be modulated with the two-axis Motional Pad for direct control of your sound. Both virtual analog engines include dedicated wave-shaping controls that, coupled with the oscillator mixer, allow for an impressive variety of sound-shaping possibilities. Moreover, oscillator sync, cross-modulation, and ring modulation are on tap to explore intense timbres, thundering lows, and dynamic tones. You’ve also got access to an AD envelope that can be routed to numerous destinations across all three oscillators, resulting in expressive, voltaic sounds that can stack to extravagant heights thanks to the 3-oscillator per-voice polyphony.
Modern tone crafting and reactive synthesis
Both virtual analog engines include dedicated wave-shaping controls that, coupled with the oscillator mixer, allow for an impressive variety of sound-shaping possibilities. Moreover, oscillator sync, cross-modulation, and ring modulation are on tap to explore intense timbres, thundering lows, and dynamic tones. You’ve also got access to an AD envelope that can be routed to numerous destinations across all three oscillators, resulting in expressive, voltaic sounds that can stack to extravagant heights thanks to the 3-oscillator per-voice polyphony. Looking for more ways to sound out? A pair of LFOs can each be assigned to up to four parameters attached to any of the knobs or sliders, save for click-dials, while tempo-syncable rates and depth are individually managed. This functionality goes double for the waveforms that include six options: four wave shapes, a randomizer, and a programmable step wave.
Dynamic textures from vintage to uncharted
Thanks to Roland’s masterful sound-modeling technology, Gaia 2 bristles with vintage character that’s rife for reimagining with the synth’s contemporary tool kit. Texturization options comprise 53 multi-effects that are navigated from the display screen. Reverbs and delays come in seven distinct shades that can be readily refined. Meanwhile, the vaunted character of the infamous JUNO chorus effects is seamlessly toggled from a single-button control, incorporating all three styles with multiple permutations that total nine chorus choices. You can even rearrange the sound path of the multi-FX, reverb/delay, and chorus for deep sound crafting.
Dedicated amp and filter sections feature individuated ADSR sliders, with the latter capable of key-following and envelope-depth management that can be uniquely attenuated. Additional filtering is available via the multimode filter system that not only painlessly toggles between low-, band-, and highpass options, but also features a triptych of variable slopes: -12dB/Oct, -18dB/Oct, or -24dB/Oct. You’ve even got a dedicated filter drive knob for when you need to supplement your sound with some gritty textures.
Features: