TOKO RESMI BARANG ORIGINAL DAN BERGARANSI
1 JAM TERKIRIM *
021-6501012 / 65306112
JL.SUNTER MAS BARAT 1 BLOK H.9 NO.4 JAKARTA UTARA
For demanding sound design and live music recording applications, the Tascam DR-100mkIII portable handheld recorder is capable of capturing two tracks of audio at up to 192 kHz with no external microphones required. Its onboard 4-mic array features omnidirectional and shock-mounted unidirectional microphones for optimal reproduction of ambience-heavy or dry sound sources. Equally adept as a handheld device and in stand- or camera-mounted setups, the DR-100mkIII can handle anything from tracking live concerts to recording audio for sound effects libraries and video.
Need to patch in external mics or an outboard mixer? The DR-100mkIII's two balanced XLR-1/4" inputs accommodate mic- or line-level signals (even +4 dBu from professional consoles) and can supply phantom power if needed. Plus, there are two 3.5mm input jacks (one analog and one digital) that allow you to route signal from a lavalier mic or a digital media player. Whether you use the built-in mics or an external source, dual high-performance A/D converters, low-noise preamps, and a variety of selectable modes and settings empower you with options for achieving pristine, detailed, and undistorted recordings.
What's New on the DR-100mkIII
Onboard 4-Microphone Array
The DR-100mkIII's onboard mic array includes four electret condenser microphones—two omnidirectional and two unidirectional—carefully positioned with each pair in a fixed A/B configuration. The omni set picks up sound waves from all directions and tolerates sound pressure levels up to 125 dB, so loud concerts and environmental noises won't be a problem. The unidirectional mics minimize pickup of sound entering from the rear of the capsules, resulting in a more focused tone with fewer reflections. Each directional mic is housed in an integrated shockmount to suppress unwanted vibration and handling noise, and is protected against bumps by a sturdy head case.
Dual XLR-1/4" Mic/Line Inputs with Phantom Power
Dual Amphenol locking XLR-1/4" TRS combo jacks support mic level and +4 dBu line level, allowing you to record external microphones or balanced outputs from a mixer or FOH console. With switchable 24V or 48V phantom power and ample gain, the mic preamps can serve a variety of microphones such as dynamic, ribbon, or condenser types. HDDA (High Definition Discrete Architecture) mic preamps grant the lowest noise of any Tascam handheld digital recorder.
Additional Features
Recording Time
WAV 44.1 kHz/16-Bit:
1 Hr 34 Mins per GB (Stereo)
WAV 48 kHz/16-Bit:
1 Hr 27 Mins per GB (Stereo)
WAV 88.2 kHz/16-Bit:
47 Mins per GB (Stereo)
WAV 96 kHz/16-Bit:
43 Mins
WAV 176.4 kHz/16-Bit:
24 Mins per GB (Stereo)
WAV 192 kHz/16-Bit:
22 Mins per GB (Stereo)
WAV 44.1 kHz/24-Bit:
1 Hr 3 Mins per GB (Stereo)
WAV 48 kHz/24-Bit:
58 Mins per GB (Stereo)
WAV 88.2 kHz/24-Bit:
31 Mins per GB (Stereo)
WAV 96 kHz/24-Bit:
29 Mins per GB (Stereo)
WAV 176.4 kHz/24-Bit:
16 Mins per GB (Stereo)
WAV 192 kHz/24-Bit:
14 Mins per GB (Stereo)
MP3 128 kb/s:
17 Hrs 22 Mins per GB (Stereo)
MP3 192 kb/s:
11 Hrs 34 Mins per GB (Stereo)
MP3 256 kb/s:
8 Hrs 41 Mins per GB (Stereo)
MP3 320 kb/s:
6 Hrs 57 Mins per GB (Stereo)
Power
For demanding sound design and live music recording applications, the Tascam DR-100mkIII portable handheld recorder is capable of capturing two tracks of audio at up to 192 kHz with no external microphones required. Its onboard 4-mic array features omnidirectional and shock-mounted unidirectional microphones for optimal reproduction of ambience-heavy or dry sound sources. Equally adept as a handheld device and in stand- or camera-mounted setups, the DR-100mkIII can handle anything from tracking live concerts to recording audio for sound effects libraries and video.
Need to patch in external mics or an outboard mixer? The DR-100mkIII's two balanced XLR-1/4" inputs accommodate mic- or line-level signals (even +4 dBu from professional consoles) and can supply phantom power if needed. Plus, there are two 3.5mm input jacks (one analog and one digital) that allow you to route signal from a lavalier mic or a digital media player. Whether you use the built-in mics or an external source, dual high-performance A/D converters, low-noise preamps, and a variety of selectable modes and settings empower you with options for achieving pristine, detailed, and undistorted recordings.
What's New on the DR-100mkIII
Onboard 4-Microphone Array
The DR-100mkIII's onboard mic array includes four electret condenser microphones—two omnidirectional and two unidirectional—carefully positioned with each pair in a fixed A/B configuration. The omni set picks up sound waves from all directions and tolerates sound pressure levels up to 125 dB, so loud concerts and environmental noises won't be a problem. The unidirectional mics minimize pickup of sound entering from the rear of the capsules, resulting in a more focused tone with fewer reflections. Each directional mic is housed in an integrated shockmount to suppress unwanted vibration and handling noise, and is protected against bumps by a sturdy head case.
Dual XLR-1/4" Mic/Line Inputs with Phantom Power
Dual Amphenol locking XLR-1/4" TRS combo jacks support mic level and +4 dBu line level, allowing you to record external microphones or balanced outputs from a mixer or FOH console. With switchable 24V or 48V phantom power and ample gain, the mic preamps can serve a variety of microphones such as dynamic, ribbon, or condenser types. HDDA (High Definition Discrete Architecture) mic preamps grant the lowest noise of any Tascam handheld digital recorder.
Additional Features
Recording Time
WAV 44.1 kHz/16-Bit:
1 Hr 34 Mins per GB (Stereo)
WAV 48 kHz/16-Bit:
1 Hr 27 Mins per GB (Stereo)
WAV 88.2 kHz/16-Bit:
47 Mins per GB (Stereo)
WAV 96 kHz/16-Bit:
43 Mins
WAV 176.4 kHz/16-Bit:
24 Mins per GB (Stereo)
WAV 192 kHz/16-Bit:
22 Mins per GB (Stereo)
WAV 44.1 kHz/24-Bit:
1 Hr 3 Mins per GB (Stereo)
WAV 48 kHz/24-Bit:
58 Mins per GB (Stereo)
WAV 88.2 kHz/24-Bit:
31 Mins per GB (Stereo)
WAV 96 kHz/24-Bit:
29 Mins per GB (Stereo)
WAV 176.4 kHz/24-Bit:
16 Mins per GB (Stereo)
WAV 192 kHz/24-Bit:
14 Mins per GB (Stereo)
MP3 128 kb/s:
17 Hrs 22 Mins per GB (Stereo)
MP3 192 kb/s:
11 Hrs 34 Mins per GB (Stereo)
MP3 256 kb/s:
8 Hrs 41 Mins per GB (Stereo)
MP3 320 kb/s:
6 Hrs 57 Mins per GB (Stereo)
Power