Official shop,Original and Warranty.
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021-6501012 / 65306112
JL.SUNTER MAS BARAT 1 BLOK H.9 NO.4 JAKARTA UTARA
Much more than a sum of its parts, the 5 Series dynamic management takes the features of the 4 Series products and adds the equivalent of four D2 dynamic equalisers across the inputs and a channel of C2 compression on each output, along with a new matrix mixing mode.
With two units available (DP548 – 4 inputs/8 outputs, and DP544 – 4 inputs/4 outputs), all the original features and sound quality of the 4 Series are preserved and expanded upon using a newer DSP platform, and with some never before seen ground breaking features in AudioCore, it all makes for a new dynamic combination…
It’s a long list to cover, but for those who have never used a 4 Series unit, there is a formidable array of tools available to cater for your creative as well as your control/corrective needs.
There are two 5 Series units available:
DP548 – 4 inputs – 8 outputs
DP544 – 4 inputs – 4 outputs
Each input has a 28 band graphic EQ that can be configured to model either our own GQ600, or older inductor based designs such as the DN27.
There are an additional 8 bands of “traditional” parametric EQ on each input.
All parametric sections can be reconfigured to many alternate filter behaviours, including the familiar high and low shelves and notch filters, but along with bandpass, elliptic and variable ‘Q’ shapes, and phase adjustment, in 2 degree steps.
On top of all this EQ that you might be used to comes the incredibly powerful dynamic EQ. Three bands of SiDD’s dynamic EQ are available on each input, with all four modes of operation supported (so, cut/boost either above or below the threshold). Each band will cover the full 20-20k range and has controls for envelope (attack/release) as well as setting the maximum allowable amount of gain adjustment and choosing the “strength” of the effect (the ratio in dynamics terms).
Dynamic EQ may be stored in its own memories, as can graphic EQ settings, all other input settings or all output settings, and every combination of these if necessary.
Inputs
Electronically balanced (transformers optional)
AES/EBU (selectable) fitted as standard to all 5 Seriesunits
Impedance >10k ohms
CMRR >65dB 50Hz – 10kHz
Outputs
All electronically balanced (transformers optional)
AES/EBU fitted as standard to all Series 4 units
Source Imp < 60ohms
Minimum Load 600ohm
Maximum Level +20dBm into 600 ohm load
Sampling Rate DP548 – Up to 96kHz internal, up to 192kHz can be accepted and converted.
Frequency Response ±0.5dB 10Hz – 32kHz
Dynamic Range >116dB 20Hz -20kHz. Unwtd
Distortion < 0.001% @ 1kHz, +10dBm
Maximum Delay 650 mS. (increment 0.325 µs steps)
Output gain Adjustable +15dB to -40dB in 0.1 dB steps and mute
Equalisation
Filters Parametrics – 8 Per input / 9 per output
Additional filters 28-band graphic on each input
Each parametric can be switched to Bandpass, Allpass, Notch, VariQ, Shelf and Elliptical response
Phase filtering – 2 degree steps on each input and output
Crossover Filters
Bessel / Butterworth 6/12/18/24/48dB per octave
and Linkwitz-Riley 12/24/48dB per octave
Dynamic EQ
3 bands per input
Parametric behaviour – 19.7Hz – 32kHz
‘Q’ 0.4 – 128,
Max gain automatic gain adjustment 18dB
Max ratio (cut above mode) 4:1
Max ratio (all other modes) 2:1
Attack 70uS – 2.0 Seconds
Release 11mS – 3.4 Seconds
Compressor
One per output
Max ratio 16:1
Variable knee – 12 steps + Off (Hard)
Attack 70uS – 2.0 Seconds
Release 11mS – 3.4 Seconds
Mix matrix mode
Input sends to each output continuously variable from -40.0dB to _15.0dB in 0.1dB steps plus OFF,
Limiter
Threshold +22dBu to -10dBu
Attack time 0.3 to 90 milliseconds
Release time 4, 8, 16 or 32 times the attack time
Clip/D-max Limiter
Look-ahead attack time,Fast, Medium or Slow release times
Connectors
Inputs 3 pin female XLR
Outputs 3 pin male XLR
RS485 In/Out XLRs
RS232 9 Pin (Female) D Connector
Power
3 pin IEC
Power 60VAC – 240VAC
Consumption < 40 watts
Weight 3.5kg. Net (5kg. Shipping)
Size 1.75”(1U) x 19” x 12” (44 x 482 x 305mm) excluding connectors
Much more than a sum of its parts, the 5 Series dynamic management takes the features of the 4 Series products and adds the equivalent of four D2 dynamic equalisers across the inputs and a channel of C2 compression on each output, along with a new matrix mixing mode.
With two units available (DP548 – 4 inputs/8 outputs, and DP544 – 4 inputs/4 outputs), all the original features and sound quality of the 4 Series are preserved and expanded upon using a newer DSP platform, and with some never before seen ground breaking features in AudioCore, it all makes for a new dynamic combination…
It’s a long list to cover, but for those who have never used a 4 Series unit, there is a formidable array of tools available to cater for your creative as well as your control/corrective needs.
There are two 5 Series units available:
DP548 – 4 inputs – 8 outputs
DP544 – 4 inputs – 4 outputs
Each input has a 28 band graphic EQ that can be configured to model either our own GQ600, or older inductor based designs such as the DN27.
There are an additional 8 bands of “traditional” parametric EQ on each input.
All parametric sections can be reconfigured to many alternate filter behaviours, including the familiar high and low shelves and notch filters, but along with bandpass, elliptic and variable ‘Q’ shapes, and phase adjustment, in 2 degree steps.
On top of all this EQ that you might be used to comes the incredibly powerful dynamic EQ. Three bands of SiDD’s dynamic EQ are available on each input, with all four modes of operation supported (so, cut/boost either above or below the threshold). Each band will cover the full 20-20k range and has controls for envelope (attack/release) as well as setting the maximum allowable amount of gain adjustment and choosing the “strength” of the effect (the ratio in dynamics terms).
Dynamic EQ may be stored in its own memories, as can graphic EQ settings, all other input settings or all output settings, and every combination of these if necessary.
Inputs
Electronically balanced (transformers optional)
AES/EBU (selectable) fitted as standard to all 5 Seriesunits
Impedance >10k ohms
CMRR >65dB 50Hz – 10kHz
Outputs
All electronically balanced (transformers optional)
AES/EBU fitted as standard to all Series 4 units
Source Imp < 60ohms
Minimum Load 600ohm
Maximum Level +20dBm into 600 ohm load
Sampling Rate DP548 – Up to 96kHz internal, up to 192kHz can be accepted and converted.
Frequency Response ±0.5dB 10Hz – 32kHz
Dynamic Range >116dB 20Hz -20kHz. Unwtd
Distortion < 0.001% @ 1kHz, +10dBm
Maximum Delay 650 mS. (increment 0.325 µs steps)
Output gain Adjustable +15dB to -40dB in 0.1 dB steps and mute
Equalisation
Filters Parametrics – 8 Per input / 9 per output
Additional filters 28-band graphic on each input
Each parametric can be switched to Bandpass, Allpass, Notch, VariQ, Shelf and Elliptical response
Phase filtering – 2 degree steps on each input and output
Crossover Filters
Bessel / Butterworth 6/12/18/24/48dB per octave
and Linkwitz-Riley 12/24/48dB per octave
Dynamic EQ
3 bands per input
Parametric behaviour – 19.7Hz – 32kHz
‘Q’ 0.4 – 128,
Max gain automatic gain adjustment 18dB
Max ratio (cut above mode) 4:1
Max ratio (all other modes) 2:1
Attack 70uS – 2.0 Seconds
Release 11mS – 3.4 Seconds
Compressor
One per output
Max ratio 16:1
Variable knee – 12 steps + Off (Hard)
Attack 70uS – 2.0 Seconds
Release 11mS – 3.4 Seconds
Mix matrix mode
Input sends to each output continuously variable from -40.0dB to _15.0dB in 0.1dB steps plus OFF,
Limiter
Threshold +22dBu to -10dBu
Attack time 0.3 to 90 milliseconds
Release time 4, 8, 16 or 32 times the attack time
Clip/D-max Limiter
Look-ahead attack time,Fast, Medium or Slow release times
Connectors
Inputs 3 pin female XLR
Outputs 3 pin male XLR
RS485 In/Out XLRs
RS232 9 Pin (Female) D Connector
Power
3 pin IEC
Power 60VAC – 240VAC
Consumption < 40 watts
Weight 3.5kg. Net (5kg. Shipping)
Size 1.75”(1U) x 19” x 12” (44 x 482 x 305mm) excluding connectors