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Grand Concert body style
Crafted with a solid spruce top for rich projection, a slender Taylor neck for an easy-playing feel and built-in ES2 electronics for clean amplified sound, the 114ce-S offers an ideal playing experience for guitarists of all skill levels. This comfortable Grand Auditorium acoustic-electric delivers all-purpose utility for strummers and fingerpickers alike, performing beautifully in solo and ensemble settings as well as recording applications. Whether you're seeking a first guitar that will grow with you as you develop your skills or a reliable instrument for all your creative pursuits, the 114ce-S has you covered. Taylor’s layered backs and sides incorporate three layers of wood, featuring a middle core of poplar with a veneer on each side. While layered woods won’t produce quite as complex a sound as solid woods, they allow us to blend exotic looks with climate-resilient construction.
Sound: While the rich tones of solid wood remain unmatched, a layered wood construction can yield great sound in a beautiful, durable and affordable instrument. Such is the case with layered sapele, in which we use interior and exterior veneers of sapele with a core layer of poplar between them. One of the benefits of layered wood for guitars is extra resilience in the face of fluctuating humidity conditions. This comes in handy for guitars like the GS Mini and Baby Taylor models, which are travel-friendly guitars that may be more directly exposed to different environments.
Venetian Cutaway
The Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the body. The Grand Concert and Grand Auditorium have a steeper slope, while the Dreadnought is a bit flatter. Our Grand Concert nylon-string models also feature a subtle, flatter slope, while our 200 Series cutaway models incorporate our flattest slope. Featured exclusively on Taylor Grand Symphony guitars, the soundport cutaway offers all the accessibility and comfort of a traditional cutaway while helping the guitar produce a more immersive, high-fidelity sound. Aesthetically, it’s a partial Florentine cutaway, and from the front, it resembles the sharp horn of that traditional design. However, the back of the guitar is kept intact, preserving a touch of additional resonance while maintaining a traditional look and feel. The additional soundhole, deliberately placed at roughly a 45-degree angle to the soundboard, adds an extra dimension orchestral, robust acoustic tone, producing a sound that seems to fill the room and resonate in the air around you.
Grand Concert body style
Crafted with a solid spruce top for rich projection, a slender Taylor neck for an easy-playing feel and built-in ES2 electronics for clean amplified sound, the 114ce-S offers an ideal playing experience for guitarists of all skill levels. This comfortable Grand Auditorium acoustic-electric delivers all-purpose utility for strummers and fingerpickers alike, performing beautifully in solo and ensemble settings as well as recording applications. Whether you're seeking a first guitar that will grow with you as you develop your skills or a reliable instrument for all your creative pursuits, the 114ce-S has you covered. Taylor’s layered backs and sides incorporate three layers of wood, featuring a middle core of poplar with a veneer on each side. While layered woods won’t produce quite as complex a sound as solid woods, they allow us to blend exotic looks with climate-resilient construction.
Sound: While the rich tones of solid wood remain unmatched, a layered wood construction can yield great sound in a beautiful, durable and affordable instrument. Such is the case with layered sapele, in which we use interior and exterior veneers of sapele with a core layer of poplar between them. One of the benefits of layered wood for guitars is extra resilience in the face of fluctuating humidity conditions. This comes in handy for guitars like the GS Mini and Baby Taylor models, which are travel-friendly guitars that may be more directly exposed to different environments.
Venetian Cutaway
The Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the body. The Grand Concert and Grand Auditorium have a steeper slope, while the Dreadnought is a bit flatter. Our Grand Concert nylon-string models also feature a subtle, flatter slope, while our 200 Series cutaway models incorporate our flattest slope. Featured exclusively on Taylor Grand Symphony guitars, the soundport cutaway offers all the accessibility and comfort of a traditional cutaway while helping the guitar produce a more immersive, high-fidelity sound. Aesthetically, it’s a partial Florentine cutaway, and from the front, it resembles the sharp horn of that traditional design. However, the back of the guitar is kept intact, preserving a touch of additional resonance while maintaining a traditional look and feel. The additional soundhole, deliberately placed at roughly a 45-degree angle to the soundboard, adds an extra dimension orchestral, robust acoustic tone, producing a sound that seems to fill the room and resonate in the air around you.