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X AIR XR16
16-Input Digital Mixer for iPad/Android Tablets with 8 Programmable MIDAS Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder
The immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.
The ultra-smooth optical attenuator is closely modeled in our LEISURE COMPRESSOR. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*). When Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.
Our digital reincarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.
Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M/S operation. (Inspired by Fairchild 670*)
The COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.
The XTEC EQ1 emulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)
Put simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5*)
The new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...
The EDISON EX1 is the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I/O modes allow the processing, or creation, of Mono/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)
The SOUND MAXER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*)
The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)
MODULATION DELAY combines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.
ENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*). EXCITERS increase presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter*)
Unlike typical graphic EQs, our STEREO TruEQ delivers the exact frequency response for the new fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The XR16 can provide up to 16 mono graphic EQs – one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.
VINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS*)
PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950’s. (Inspired by Lexicon PCM70*)
The 3-TAP DELAY in the X32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.
Features
X AIR XR16
16-Input Digital Mixer for iPad/Android Tablets with 8 Programmable MIDAS Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder
The immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.
The ultra-smooth optical attenuator is closely modeled in our LEISURE COMPRESSOR. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*). When Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.
Our digital reincarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.
Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M/S operation. (Inspired by Fairchild 670*)
The COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.
The XTEC EQ1 emulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)
Put simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5*)
The new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...
The EDISON EX1 is the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I/O modes allow the processing, or creation, of Mono/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)
The SOUND MAXER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*)
The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)
MODULATION DELAY combines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.
ENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*). EXCITERS increase presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter*)
Unlike typical graphic EQs, our STEREO TruEQ delivers the exact frequency response for the new fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The XR16 can provide up to 16 mono graphic EQs – one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.
VINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS*)
PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950’s. (Inspired by Lexicon PCM70*)
The 3-TAP DELAY in the X32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.
Features